The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing.
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Houseago was just one in a chorus of creative voices that harmonized around this collection. Although there were some very overtly personal and Mexican touches, such as sequins reflecting China Poblana festival wear and the Aztec Eagle logo of the United Farm Workers’ association, for whose Mexican migrant pickers Owens’s father often worked as a translator in the California courts (these garments and a piece of jewelry will be sold to benefit the UFW), he said he was very careful to avoid the folkloric side of Mexican culture. Instead, he said, he had become fascinated with the effect of Mexican culture on the work of Josef and Anni Albers, the subject of a recent-ish show at the Guggenheim. Owens expounded: “I loved that combination of modernism with something so ancient. Looking at the drawings they made that were inspired by the sites was the Mexico angle I wanted.” With the exception of some Perspex-heeled platforms and rough tire-sole cowskin sandals that caused much trepidation as the models descended steps while keeping their eyes fixed on the pit, it was also a collection abrim with highly wearable pieces. Personally I loved the cotton jackets in a black and white set with austere, angled grids of ribbon and lacing, which was sometimes reflected in a riot of lacing on a Veja collab sneaker and looped into the fabric of some loose wool track pants. The sequins incorporated one-color oversize tailoring and looked pleasingly sleazy, while metallic-finished outerwear boasted a brutal industrial shimmer. In collaboration with Champion, Owens primitivized its cotton jersey via transformation into togas and loincloths. Zippered jumpsuits, some half-worn to optimize ab exposure, looked toughly utilitarian, while short-hemmed tailored jackets in white snakeskin over low-neck loose T-shirts and white sequined zippered pants appeared twistedly slick especially when teamed with a pompadour. According to Josef Albers, “in art, tradition is to create, not to revive,” and in this highly artful collection, we saw an outstanding expression of the tradition in the clothing created by Owens. The convenient accessibility to my sister’s lingerie paved the way for me to experiment which I inevitably did when home alone one day. Whilst it was a most exciting and somewhat of a nerve-wracking experience due to it being my first experience trying on panties and a slip, I was also thrilled at how the panties felt and how they looked on me when I checked in the mirror. The nylon and lace slip enhanced even further the delightful silky feeling of the silky nylon panties. The two layers of silky nylon lingerie felt so wonderfully good I did not want to take them off.
“My Mexican-ness is very abstract,” said Rick Owens shortly before presenting this show. Titled Tecuatl after his maternal grandmother’s maiden name—Owens’s mother hails from Puebla and is of Mixtec heritage—this collection was the first time he has used his work as a lens through which to explore his south-of-the-border roots. As he said at the top, however, Owens’s relationship with those roots is abstract—and that abstraction was reflected in the collection. One prosaic reason for this is he only revisited his mother’s homeland this year, for the first time in 30. Another is that—just as in the last-season cycle of awesome Larry Legaspi shows—his themes are, ultimately, just one of the raw materials in a creative clay that is every season shaped by his design and in his own image. Silhouettes were full, and the assembly of pieces used to achieve them what the designer called a “potpourri” was eclectically and raffishly combined. “What I really wanted to express was the free soul of the artist, and how he creates his own elegance,” said Curradi backstage. “There were elements mixed from the ’90s, the ’80s, and the ’40s.” The result was a collection that did all the hard work in conjuring an aura of insouciant panache so its wearers won’t have to. Salut! This is why the several tons of damp clay taken from the L.A. studio of British artist Thomas Houseago who has a statue currently installed in the center of the Palais de Tokyo courtyard as part of his “Almost Human” show at the Musee de l’Art Moderne made for such a fitting addition to this show’s mise-en-scène. Houseago, Owens reported, had been on set to oversee the installation of the clay and even ended up creating a small sculpture (one that Owens fully intended to pinch, fire, and add to his collection). Since hitting commercial success with pop-worthy printed camp shirts, Mrs. P has dared to design well beyond her menswear signatures, producing short-shorts and tightly belted blazers, and now loose tanks and shorts with zippers up the side seam. It’s a real treat to see her explore proportion and intention in menswear with the same pointedness she brings to her women’s shows. No wonder the guests in Shanghai went wild. By the way, on the wealth axis, increasing the money supply can reduce other money’s buying power, but only if that newly created money got into a position where it is actively being used for direct spending of goods services, labor and other desired outcome….. and only if the amount of things sold increased at a rate slower that the rate of increase in spending.
Robert Geller is about to embark on a yearlong sabbatical to Portugal with his family, taking a pause from the New York fashion world for a bit. The connection between Geller’s stepping back from the circus of fashion and his circus-themed Spring 2020 collection isn’t that direct he says he started to think of the circus and Sarah Moon’s hazy photographs on a flight last year but it’s hard not to draw a comparison. Even without the pomp and circumstance of a show, Geller is making some of American fashion’s most show-stopping menswear. As always, his base is his materials and dyes. In the former category, he has incorporated spandex into more of his fabrications, inspired by his ongoing collaboration with Lululemon. Geller’s comfortable, athletic garments have only become more agile. Even more invigorating is his new palette. Rather than labor over an exact shade of sandstone or clay, as he often does, Geller’s ditched his earth tones this season in favor of something more fabulous. The slime green stripes that cut through a nylon coat or the metallic azures that make up a shimmering suit are far more electric than what we’ve come to expect from the earthy designer. But if it’s not evident yet, Geller is ready for a change. Federico Curradi is finding his groove at Rochas. This annoyingly standing-format show (how to type?) was packed full of engaging all-organic garments, soft and flowing, and bohemian. Curradi said he’s trying to make an artist’s wardrobe and who doesn’t want to look like an “artist,” right? Since decamping to Paris from Florence, he’s tried to suffuse himself in Frenchness, and for this collection consulted Ed van der Elsken’s Love on the Left Bank and Helena Janeczek’s The Girl With the Leica what a story with which to conjure atmospheric touches to his garments. Inspired by Gerda Taro’s bravery and resolve (if you don’t know it, please Google her story; it’s amazing), he incorporated soft embroidery detailing on weathered military-uniform-inspired trenches and shirting in silk and cotton. Noticing my sisters panties and slips on the clothesline drying after washing and my mother neatly folding her panties and ironing her slips after the washing was brought in, kept building my interest and gave me persisting thoughts about panties and slips until it reached the stage where inexorably I felt compelled to explore trying on panties and a slip.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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