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Jerry Lorenzo had never heard that Richard Gere was only cast in American Gigolo after John Travolta, who had been first choice for the role and accepted it, had second thoughts and dropped out. “Wow! I can’t imagine Travolta pulling that off, much as I love him.” And it’s true, at least in terms of the movie’s significance to fashion. Thanks to Saturday Night Fever Travolta was so emblematic of the disco aesthetic that he would surely have overwhelmed the movie’s Giorgio Armani wardrobe, where Gere, in his first leading role, appeared as fresh to the eye as the Italian’s radical tailoring.
This collection added a fresh layer of construction to the foundation laid down last season. Where Armani was softening the architecture of tailoring, Lorenzo is adding its structure to the softness of sportswear. His boxy-shoulder Chesterfield coats and long-skirted jackets recontextualize the more recently emerged genre in daily dressing, rather than place them in some reductive binary opposition. Jersey and cashmere pieces bearing iconography from baseball’s Negro leagues point to a defunct discriminatory division that should be neither repeated nor forgotten. His insertion of the Ivy League’s defining shoe, the penny loafer—“Fear of God’s first ever hard-soled shoe”—against lushly realized militaria, high-waisted chinos, and brashly lapeled pinstripe Yuppie jackets was evidence of a collection that traveled far to arrive at a distinct location. Teamed with the right script, director, and, of course, cast, you could see these clothes playing a compelling part on screen (or stream) in telling some new cinematic story.
That historic Sliding Doors moment in casting came up during a Zoom call for this second part of Lorenzo’s seventh Fear of God collection as we zeroed in on Look 47. Apart from the logo on a crossbody bag, I suggested, Lorenzo’s combination of loose leather navy blazer, gray marl sweater, and pleated taupe pants cut with a roomy break above same-color loafers looked like it could have been shot for an Italian brand in the late 1980s. It turns out that the model wearing the look was in fact Lorenzo’s assistant, Dakota Raine, and only appeared here thanks to another curiosity in casting. “I’m with her every day, day to day,” said Lorenzo: “and she does a lot of fit modeling for us. And actually on the day of this shoot we had three [female] models on the set, but none of them gave me this emotion—this Julia Roberts emotion—the way she did.”
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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