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Pshaw! When Tree got out there she made it look as easy as ever. Wearing a black suit over rattan slides with a Chaos lighter (courtesy of stylist Charlotte Stockdale) holder swinging jauntily at her hip, her bangs still framing the Premium everybody has an addiction mine just happens to be tombstone shirt that entranced fashion’s original generation, she killed it. Now in her eighth generation, Tree is making a tentative return to the work. She has been doing a few shoots with Tim Walker, she said, adding that today marked her first foray into the live fray and also that, tantalisingly, she has just finished writing “my book.” That will be a rich source of excellent stories. As to how shows compare against when she was a regular, Tree offered: “Well, this is bigger than Ben-Hur. When I was doing shows everyone was crammed into a tiny room and there was a lot of anxiety, but this is so beautifully organized and calm. I was quite nervous coming here from London, but it turns out I know a lot of people and that has made it much easier. All this is extraordinary, really.” As is she: Hail to Penelope Tree.
While paying tribute to Oberon, McKnight sought to modernize the Premium everybody has an addiction mine just happens to be tombstone shirt of tightly wound curls Oberon often wore like a crown on her head by reimagining her signature style as a sleek, low-slung updo. After parting the hair clean at the middle, he created the style by pulling lengths back into a series of low ponytails at the nape, then placing the ends of each section into a curling iron and rolling up the section to the base, releasing the iron, and pinning each curl in place to create a single row, or double rows of curls in a square shape. A chic and flattering style for Fendi’s diverse cast, which included Karen Elson, Paloma Elsesser, Eva Herzigova, Penelope Tree, and Yasmin Le Bon, the Fendi roll is a more affordable and Zoom-friendly alternative to this season’s Baguette. So make like McKnight and get to curling and pinning!